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I came to know glass work through seeing my father Yasuhiro working on his pieces.
I had always seen his work near by on a regular basis. Being a company worker,
I wasn't interested in glass work at all. However, sitting whimsically in front of the torch to
make one by myself, that started my
fascination with the fun and beauty of glass./color>/fontfamily>
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Although, my father only taught me the basic practices of glass making,
he said strictly "You need to learn by observing! ". Everyday, continuously,
I observed
his work to learn his way and put my consideration into my work.
/color>/fontfamily>
/fontfamily>After
one year of study, I started serious production. Since then,
I have devoted myself to the joy of creation, the passion to create better and
more beautiful pieces than others, and I started to feel fulfilled with my work.
Recently, I reached the point where I am not tied to ancient and traditional patterns of
glass
beads, but with my own
unusual style of realistic patterns and expression./color>/fontfamily>
/fontfamily>For example, creating flowers and
butterflies as lively as they can be,
this is always in my mind for my productions./fontfamily> It's not an easy thing to achieve, but it brings
me great joy when I can make the patterns just like I imagined in my mind,
and when I can make my artwork in more complete form.
Also, It encourages me a lot and makes me so happy when I hear a customer say
"I am moved" or "it's
beautiful" looking at my work .
/color>/fontfamily>
/fontfamily>My
policy and dream is to create not just Japanese but also world level art pieces,
to pull the unlimited possibilities of glass, not to feel too easy with the work I created,
and to try to make not
only glass beads but something beyond.
/color>/fontfamily>
Currently, I have my studio in Nara city and I work hard on production.
Appreciating encounters of new people, I go to the galleries and department stores for
my exhibitions all over Japan and foreign cities.
Recently, I expanding my production into paperweights and marbles which are still new to Japan.
Akihiro ohkama
| 1970 |
Born in Nara (Japan) |
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| 1996 |
Studied beadmaking under Yasuhiro Ohkama |
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| 1996 |
Established my own Glass Studio HAND |
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| 1998 |
opened a studio and shop at in Nara |
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| 2000 |
Published in “contemporary glass beads by Japan” |
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| 2002 |
the glass is presented to her imperial highness of Takamadomiya
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| 2002 |
It participated in the I.S.G.B Gathering (USA.VA) |
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| 2003 |
published in “ beads of glass ” (by Cindy Jenkins) |
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| 2003 |
Official Demonstrating artist for the Taiwan International Glass Art Festa (TAIWAN)
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| 2004 | The Paperweight and glassbeads learnt from Loren Stump (USA.CA) | ||
| 2004 |
Published in “NEW contemporary glass beads by Japan” |
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| 2004 |
published in “1000 glass beads” (by Lark Books) |
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| 2005 | It participated in the best beads show by Tucson | ||
| workshop is held by the Arrow springs (USA.CA) | |||
| akihiro's glass beadmaking Book is ready Publication | |||
| 200600 | rIt participated in the best beads show and Flame off by Tucson rin. | ||
| 2006 | workshop is held by the Glas design (Germany .Ham) | ||
| The Marble learnt from Josh Sable & John Kobuki | |||
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2007
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workshop is held by the Glas design (Germany .Ham)A | ||
| It participated in the Beads and ButtonShow | |||
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workshop is held by the Glass Hive (USA .OR)A
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1978 |
Born in Aomori (Japan) |
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2000 |
Studied beadmaking under Akihiro &Yasuhiro Ohkama
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2002 |
It participated in the I.S.G.B Gathering (USA.VA)
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2004 |
The Paperweight and glassbeads learnt from Loren Stump (USA.CA) |
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2006 |
It participated in the best beads show by Tucson |